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See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna
deadgirls
melodyandviolence: “ Lavender coronet (by *December Sun) ”
melodyandviolence

Lavender coronet (by *December Sun)

Source: melodyandviolence girl flowers lavender

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dorkstranger-old-deactivated201
sirhellsing420

A zombie-bitten father tries to save his infant daughter in this bittersweet short film

So you’ve been bitten by a zombie. So long, conscious brain activity, hello craving for human meat. But the protagonist of the short film Cargo has bigger problems than his impending demise: he has to find a way to save his infant daughter, even if he has to die first to do it.

Directed by Ben Howling and Yolanda Ramke, Cargo was a finalist in Tropfest Australia 2013. It’s also a rather clever take on zombie genre tropes, with a story that isn’t about the survival of self, but the survival of another.

westwardigofree

All right a 7 minute short should not make me cry so much. 

Source: io9.com feels zombies film short film video baby
neilarmstrong
renkris

Gordon Ramsay doesn’t care about your gender, race, or creed. All he cares about is that you can cook.

The contestant, Christine, is blind, and he lets her know exactly what he thinks of her dish.

anus

OMG I was preparing myself to be enraged by him making some horrible comment but now I’m crying in Starbucks GOD DAMMIT

star-light-and-film-grain

I FCKING LOVE GORDON RAMSAY

masterchef video gordon ramsay
nudityandnerdery
Also remarkable is the film’s refusal to reveal how Phil came to be stuck in his time-loop: there is no magical fairground machine (Big), no mantra (Shallow Hal), no curse (What Women Want)…Rubin was urged to write a Gypsy-curse scene explaining the loop, which Ramis wisely never shot. The mystery has only fortified the film’s magic. Its chances of longevity were helped too by a purge on period references. Rubin urged Ramis, with whom he shares a writing credit, to expunge any nods to the 1990s: “You’ve gotta take all this out,” he said, “because this movie is really going to go on for years and years.” Compare this with Judd Apatow’s films, which are peppered with gags about early-21st century celebrity culture. Parts of Funny People and This Is 40 will be incomprehensible in 50 years’ time, whereas our descendants in 2063 will have no trouble understanding Groundhog Day when they download it on to their frontal lobes.
Groundhog Day, The Perfect Comedy, For Ever. (via thebronzemedal)
Source: thebronzemedal film groundhog day
sugarwitch
the-hopskipping-dragon

“Stevie Nicks was the first woman I ever heard say she had chosen not to have children because she cared more about her career. The first that ever warned me men might not like it if there are things more important to me than they are. The first that ever said that that was fine: sometimes, you have to leave them behind. Wherever she goes, she surrounds herself with girls. “I can’t imagine you in a bathing suit,” someone says in an interview for Rolling Stone, when Stevie says she likes to play in the pool in her backyard. “Yeah, well, you never will,” Stevie says. “There is never - ever - a man in the backyard. If there is, he is banished to the front of the house.” Men don’t get to look at Stevie Nicks unless Stevie Nicks wants men to look at Stevie Nicks. In her songs, even when she’s talking about how she has to change, she proclaims her power, her ability, her worth. She is a queen, she is a witch, she is a dragon, she is in control. She isn’t polite. She’s competitive. She’s bossy. She claimed all the things the men around her claimed — she spent as much money as they spent, had as much sex as they had, was as reckless as they were, stood at the front of the same stage — and never questioned that that was her right. The world tells us women are there for men, but despite all the boyfriends and the jokes about how she’s so easy and the sex-symbol status, she isn’t there for men at all. She does it without ever giving in to the men that dismiss her. She’s emotional. She’s dramatic. She raises her voice as much as she can. She thinks she’s pretty, she thinks she’s a star, and when her fans crowd up to the edge of the stage, crazy, she welcomes them, with open arms. She revels in it. She’s too much of a girl for you? She revels in it.”

—

Stevie Nicks is a queen, a witch, a dragon

(via cat-in-the-dark)

crystalqueernicks

This is fuckin amazing

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